Sunday, March 24, 2019

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Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance

by Anthea Kraut

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Amazon Page : https://www.amazon.com/Choreographing-Copyright-Intellectual-Property-American/dp/0199360375
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Choreographing Copyright Race Gender and Intellectual CHOREOGRAPHING COPYRIGHT is an illuminating book about copyrights complicated engagement with choreographic expression in the United States written from a critical dance studies perspective that foregrounds race and gender p xvii It deserves a thoughtful reading by a wide audience within the IP academy but will be of particular Vol 8 No 1 November 2017 pp 2031 CHOREOGRAPHING CHOREOGRAPHING COPYRIGHT RACE GENDER AND INTELLECTUAL PROPERTY RIGHTS IN AMERICAN DANCE Kraut performs a fascinating exploration of the evolution of choreographic copyright—sweeping political polemical—that should leave no one in doubt as to the normative significance of choreography as a subject matter of copyright law and policy Choreographing Copyright Race Gender and Intellectual This particular account dates back to the late 1890s and tells the story of as the book’s subtitle says Race Gender and Intellectual Property Rights in American Dance Kraut’s smart detailing and dissection of these struggles losses wins and lessons make this book a great contribution Choreographing Copyright Hardcover Anthea Kraut Stretching from the late nineteenth century to the early twentyfirst the book reconstructs efforts to win copyright protection for choreography and teases out their raced and gendered politics showing how dancers have embraced intellectual property rights as a means to both consolidate and contest racial and gendered power Choreographing Copyright Race Gender and Intellectual Published December 1st 2015 by Oxford University Press USA first published November 1st 2015 Legal History Blog Kraut Choreographing Copyright Stretching from the late nineteenth century to the early twentyfirst the book reconstructs efforts to win copyright protection for choreography and teases out their raced and gendered politics showing how dancers have embraced intellectual property rights as a means to both consolidate and contest racial and gendered power Choreographing Copyright Race Gender and Intellectual CHOREOGRAPHING COPYRIGHT is an illuminating book about copyrights complicated engagement with choreographic expression in the United States written from a critical dance studies perspective that foregrounds race and gender p xvii It deserves a thoughtful reading by a wide audience within the IP academy but will be of particular Project MUSE Choreographing Copyright Race Gender and In conversation with critical race studies gender studies and critical legal studies Kraut’s book traces the formation of American intellectual property right laws through choreographic application Choreographing Copyright Race Gender and Intellectual But the book also uncovers a host of marginalized figuresfrom the South Asian dancer Mohammed Ismail to the African American pantomimist Johnny Hudgins to the African American blues singer Alberta Hunter to the white burlesque dancer Faith Danewho were equally interested in positioning themselves as subjects rather than objects of UCR Today So You Think You Can Steal My Dance The University of California Riverside is a doctoral research university a living laboratory for groundbreaking exploration of issues critical to Inland Southern California the state and communities around the ing Californias diverse culture UCRs enrollment is now nearly 23000 students The campus opened a medical school in 2013 and has reached the heart of